Ninn S Ninn S

May 16th

Digital painting of an overcast sunrise sky, dark blue and purple clouds with bright red and pink highlights on their underbelly. In the lower right corner, a small, bright bit of clear sky is visible.

We report in the not quite bright, but certainly early morning: over the harbour, the sky actually seems to be darkening instead of brightening. We hear the wind growing stronger in the clinking of the sailboat masts, the agitation of the gulls. We can smell nothing but brine.

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Ninn S Ninn S

May 15th

Digital painting of a pre-dawn landscape, misty hills as far as the eye can see, a blue tint washing over everything. There are a few buildings in the distance, with faint lights. In the foreground, tall grass and wild carrot flowers.

We report: the mist is keeping us close to Earth this morning. Down here in marshy lands, the unknowable, hungry, peaty soil seems to want us whole, engulfing each of our steps. The fog rolls over us in absolute silence. Our eyelids threaten to cede to gravity in semi-darkness.

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Ninn S Ninn S

May 14th

Digital painting of a coastal landscape, a couple of small houses lost among trees. The sky is full of grey clouds, and the sea is calm, but a similar grey.

We report while the rain is starting to drown out our conversation with our expert: out on the seafront, there is promise for more of the same. The clouds all seem on the verge of giving, wave after wave of heavy clouds. The millions of raindrops have turned the sea matte.

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Ninn S Ninn S

May 13th

Digital painting of a bright blue sky filled with wispy white clouds. Just out of frame, the sun shines brightly, creating subtle iridescence over the ice clouds.

We report: just east of the sun, the light is scattering endlessly, crossing through the spectrum several times over. We live in that space for a moment, somewhere between indigo and cyan, or orange and magenta. The diffraction is still happening on our eyelids when we blink.

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Ninn S Ninn S

May 12th

Digital painting of a sunset sky: dark blue grey swathes of clouds framing a stripe of pastel pink, with a few smaller clouds scattered across the frame.

We report while the last lights of sunset go out: even on such an overcast day, we notice how bright the evenings of mid-spring are. It has rained a lot today, the air smells like a million different things, and the birds are singing louder than ever. The pink lingers in the sky.

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Ninn S Ninn S

May 11th

Digital painting of a cloudy night sky, a dark blue-purple tint, with the full moon showing through, giving off a slightly golden glow.

We report: a night such as this one, when we fell asleep to the sound of beating rain on the roof, we would not have anticipated the moon to be present. As it were, it was there almost through the night, a presence unaffected by the elements, highlighting the rain with its rays.

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Ninn S Ninn S

May 10th

Digital painting of an overcast sky, with small gaps between some of the clouds letting a pale blue show through. The clouds are all shades from white to a dark blue-grey. There is a swift flying in the middle of the frame.

We report under a busy sky: the swifts are flying at eye level, smooth, low arcs to catch pollen beetles and flies. There is warmth suspended in the air, but each gust of wind shakes it; we feel the crisp humidity against our cheeks. Somewhere in the low grass, crickets chirp.

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Ninn S Ninn S

May 9th

Digital painting of a bright blue sky, the sun just out of frame, covered by clouds with jagged edges. Sun rays clearly appear from that corner, spanning the whole sky. The clouds glow with sunshine.

We report: so it goes that we find ourselves again staring at the brightest source of light we could possibly find. We do this with the high hopes of finding a halo, or any type of iridescence; we are fully aware that if is there, we will likely not see it with the naked eye.

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Ninn S Ninn S

May 8th

Digital painting of some voluminous, cauliflower-like clouds caught in dramatic, red and orange lighting.

We report in the late evening: it is all a bit much. The wind is strong and blowing from an unusual direction, the clouds are expanding to monstrous proportions, and the light feels apocalyptic in nature. When it starts raining, it seems like an appropriate climax to the sunset.

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Ninn S Ninn S

May 7th

Digital painting of a partly cloudy night sky, a pale blue, full of stars where it is clear, and the clouds are dark blue, fuzzy at their edges.

We report: we know the moon is somewhere up there, busy getting rounder, but we can only tell because of how bright this night is. We can just about find our way, with only minimal tripping on roots. It has not rained in a little while here, and it smells like pine and dust.

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Ninn S Ninn S

May 6th

Digital painting of a rainy scene, a field of grass and a line of trees, the top of them bathed in golden light. The sky is cloudy but bright, the same yellow light creating contrast, a very small bit of blue visible in a corner.

We report rainbow weather: a spring shower is meeting the course of the sun, and it is difficult to see much of anything between the rain and the light in our eyes. The rain is falling harder than we had expected, but the sun is also shining brighter, loud in a different way.

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Ninn S Ninn S

May 5th

Digital painting of a bright blue sky filled with translucent white clouds. There are tight, wavy patterns running through the clouds.

We report in the mid-afternoon: the sky is at its bluest, and the sun is at its brightest, yet we feel something cool in the breeze. It has been a warm spring so far, and we now realise how fast we got used to the mild temperatures. We long for the jacket we left in the car.

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Ninn S Ninn S

May 4th

Digital painting of a sunset sky, a gradient of a deep blue to a bright orange, with long wisps of red and pink clouds sprawled across the sky.

We report: the first few days of May happened like a drawn-out sigh, a spill of warmth and light. Spring is now rolling out at full speed, and we remember now how hungry green can be, crawling onto pavements and walls and trees. The sunset seems a weak attempt at stopping it.

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Ninn S Ninn S

May 3rd

Digital painting of a twilight sky, a pale blue mostly covered in a large dark blue cloud, curling in towards the left-hand side of the frame. In the bottom left corner, a waxing moon crescent glows.

We report: we have seen the slim crescent of the moon during daytime this week, always for a few seconds while we were looking for something else in the sky. To see it glow in the twilight hours moves something in our chest, and we step back to get a better look at it.

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Ninn S Ninn S

May 2nd

We report while we wait for something to happen: everything is pointing to a thunderstorm - the barometer, those clouds that look like cumulonimbus, the swallows brushing the pavement. Most of all, the stillness in the chilly, dank air that raises hairs on the back of our neck.

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Ninn S Ninn S

May 1st

Digital painting of a bright blue sky, mostly covered in semi-translucent clouds of various sizes with sharp edges, all somewhat connected together.

We report: we think there is a layer of the sky breaking into shards, and we can only hope the pieces don't fall on top of our head. As we keep watching, however, they seem to spread out instead, and start forming a single cloud spanning the whole sky. We have nothing to fear.

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Ninn S Ninn S

April 30th

Digital painting of a sunrise sky, a large indigo and purple cloud occupying most of the frame. In the blue sky, some small, bright pink clouds are sprinkled.

We report: the sunrise is revealing new clouds where we thought there were none, back when the whole sky was a uniform middle blue. Now a breeze starts to round out the clouds, and things are suddenly moving much faster while, as usual, we struggle to muster a single thought.

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Ninn S Ninn S

April 29th

Digital painting of a seaside landscape at dusk: dark blue ocean frothing around black rocks, and the overcast sky, with the slightest tinge of purple over the horizon.

We report in the process of unfurling the darkness: it is night enough that we could not call this a day anymore, but still day enough that calling it a night would feel like pushing it. Although, perhaps night is when we almost slip because it is too dark to see where we walk.

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Ninn S Ninn S

April 28th

Digital painting of a field of small white flowers, with green trees in the distance. The sky is troubled, white and grey, with complicated clouds forming strange shapes.

We report: the air is a little heavy, and we say something like "what an odd kind of weather" to our expert, and they reply something like "isn't it just". It does not feel like rain, but it is hard to imagine how else the weather could resolve. Dandelion seeds catch in our hair.

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Ninn S Ninn S

April 27th

Digital painting of a blue sky filled with white clouds of different shapes, long strands high in the sky, and puffy cotton balls on the edges of the frame.

We report: we see April come to an end, and we feel late, and like we are missing spring, and summer will be here before we know it. Our expert tells us we only have to follow the clouds, because their pace is the only one that counts in the end. Why not, we will give it a try.

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