February 2025

Digital painting of a bright blue sky, covered in a variety of clouds of different shapes and sizes, all white, but some of them translucent, creating depth in the scenery.

February 2nd

We report: this wind is meant for moving things along, a steady wave rather than a succession of gusts. There is no chasing and pushing, barely even any rushing. We stay for some minutes, watching the clouds each on their path, and how their shapes change along the way.

Digital painting of a sunrise sky, blue tinged green from the yellow light. There are long, narrow cirrus, orange and yellow, splayed across the frame like frayed rope.

February 1st

We report as the first day of February begins: there are a few jackdaws circling us as we walk along the thawing brook. There is a narrow stream of water, slowly eroding its icy banks. We tread the path carefully, as our expert almost fell face first in the mud earlier.

Digital painting of a dark night night sky, lightly veiled with gossamer clouds. The stars are shining brightly through, unaffected by the clouds.

February 4th

We report: tonight, the sky looks like us a few billion years ago, or so we like to think. The very bare bones of us, at least. The clouds that we only see after stewing in darkness for a long time remind us of distant galaxies. It is rather cold in outer space.

Digital painting of a cloudy sky, a pale grey filled with darker grey-blue, straggly clouds fading into one another. There are black birds flying, spread over the frame.

February 3rd

We report on a long hike: once, we mapped out the trees around here, but it was a different season, and they now all look very different. We did it again, methodically, walked for hours until we had to look for our feet below our knees. The smell of the woods is in our hair.

Digital painting of a sunset sky, full of tall, voluminous clouds. They are bathed in yellow and orange light, dark tones in the shadows creating purples and blues. The clear bits of sky are deep blue.

February 5th

We report as the sky darkens in bright light, the sun is setting in all the puddles at once. It is again a sunset steeped in rain, and the gaps in the clouds seem uncertain, constantly shifting. We do not stop for very long to watch, since we are wearing the wrong shoes for rain.

Digital painting of a cloudy seaside landscape, the sea and the sky almost the same pale grey colour. There are barely any waves. The sky is full of seagulls flying in different directions.

February 7th

We report while our expert is standing in the sea, up to their thighs, in early February. They are shivering, still close enough to the shore that we can hear their teeth chattering. We pretend not to notice their voice shaking when they insist the water is nice.

February 6th

We report: the weather has been the stable kind of unstable, hovering between two states for most of the day. Wherever the sun is, it is only coming through intermittently, casting pale shadows and caressing our face with lukewarm rays. The breeze smells a little briny.

Digital painting of a cloudy sky with a bit of bright blue coming in. There is a wide variety of tones in the clouds, the darkest blue-grey, and the brightest white, and everything in between.

February 11th

We report: our expert is feeling better, so we went on a walk together this morning. We saw some green, the specific green of new growth, on the tip of a branch. The quality of the light is changing every day, that much more intense and crisp. We keep track of it all.

Digital painting of a night sky, waxing gibbous moon square in the middle of the frame. All around it are some stars, and many small, pinkish, fuzzy clouds, some of which are lit by the moon.

February 8th

We report: the small bitten off moon is getting bigger and lower in the sky when the sunset comes, and we know the next lunar phase is just around the corner. For just a few nights, the moon and the stars politely share the sky, the pinpricks of light not yet flooded out.

Digital painting of a cloudy sunset sky, heavy, dark clouds with bright orange light coming through an opening. There are straggly clouds with jagged edges that look especially bright against the dark brown of the rain clouds.

February 9th

We report while storm clouds are gathering: we think the light should not be this bright when it is this late, and the clouds are so heavy. We have learned over the years, however, that our preconceptions about the weather matter very little. It starts raining all at once.

Digital painting of a sunset sky in pastel tones, some faint pink and lilac clouds in a pale blue sky, with a bit of a yellow glow above the horizon.

February 21st

We report with the setting sun behind our back, the thinnest belt of Venus in front of us. Today was mild, not only in temperature, but in much of everything; muted colours, a half-hearted motion towards rain, our expert's hushed tones as they speak about alpenglow.

Digital painting of a pale blue sky filled with wispy, wiggly cirrus splayed out in the wind. There is a crow flying up there, its wings wide open.

February 10th

We report: our expert mysteriously took ill a few days ago, and they are still recovering. In the meantime, we take solace in the companionship of a murder of crows. Well, we did earlier, but they are still following us after a couple of hours, and we do not know what to think.

February 12th

We report: there is a remarkable blend of circumstances contributing to our feeling very cold tonight. Something about a bit of fatigue, the humidity, then the wind, strong enough to exacerbate the humidity, but not strong enough to dispel the humidity. At least, the moon is out.

Digital painting of a sunrise sky, pale blue, flooded with yellow light. The rims of the clouds are brightly lit by sun rays, dark grey in the shadows. There is a wispy quality to the clouds because of the lighting.

February 13th

We report upon leaving the embrace of sleep: the morning light is almost tangible, something we would try to grab at like trickling tap water. We can feel it brush past us as we walk, a ghostly presence. It floods our eyes and changes them forever, something it does every day.

Digital painting of a bright blue sky filled with contrails, and fibrous cirrus in between. The sky is a darker blue at the top, light at the bottom, where the cirrus are also very bright.

February 14th

We report: the sky remains broadly clear until around midday, when clouds seem to bloom out of contrails. Somehow, it gets brighter then, the sun catching onto the white of the cirrus. We try to follow the labyrinth of straight lines and crossings with our eyes.

Digital painting of a grey sky covered in diaphanous clouds. The sun is shining, a pastel yellow glowing through the cloud cover, and creating sharper contrasts in the sky.

February 15th

We report in the grey afternoon: a pearl appeared, suspended between two curtains of clouds, pale light ringing. It lost its shine when the wind rose. We took the long way home, hoping for another reveal if we waited it out, but we lost track of time and got caught by nightfall.

Digital painting of a dark blue night sky, filled with stars of different colours and brightness. Some areas are a little lighter than others.

February 16th

We report: we thought the sky would be clear tonight, and it is, in fact, clear. A rarity in the accuracy of our predictions. For once, we do not try to identify stars and constellations; there are a few too many, and we are a little too interested in going to sleep.

Digital painting of a sunrise sky in bright colours; the background is all pastel yellows and oranges, but the large, long clouds are all saturated pink with purple shadows.

February 17th

We report at the edge of the morning: we went quite a few days without rain, which is odd for this time and place. Last night, though it was all heard but none of it was seen, it rained almost sunset to sunrise. It shows in the colours, the smells, and the rivers in the gutters.

Digital painting of a blue sky covered in tiny white clouds, some of them stuck right to one another so as to form an overall bigger shape.

February 18th

We report: the sky of this day saw to it that it remained blue somewhat, though the clouds valiantly came at it again and again, and in numbers too. And all these clouds, after a while, joined forces to become just the one, but we could still find shreds of blue up there.

Digital painting of a cloudy sky. The clouds are heavy, some especially dark; swirly, complex shapes mixed with the more uniform background.

February 19th

We report about a rapidly evolving situation: the clouds are being folded into themselves like scrunched up balls of papers. As this is happening, it is raining the rain of oncoming storms. The drops are far apart, slow, but heavy and loud. We hear the paper crunch in the sky.

February 20th

We report: we come to morning with sleep forgotten, and it is a wonder to us that morning is here at all. It appears to us a mysterious land, all blue and still dim, the first gleams of the day stifled by the humidity of late nights. We fall asleep in the space in between.

Digital painting of a bright blue sky, filled with long, thin, bright white clouds aligned together like tiger stripes, ebbing out into fuzzier shapes on the left-hand side of the frame.

February 22nd

We report: today, the sun was bright and high enough in the sky for long enough that it projected some very nice shadows on the grass. In the grass, we found small, scattered wildflowers of yellow and white (we also found a worm). We now have grass stains on our knees.

Digital painting of an asperitas cloud formation in a moody, grey sky. The look of these clouds is similar to the surface of the ocean seen from underneath, with deep contrasts in tone. There is one lone bird flying high in the middle of the frame.

February 23rd

We report while the clouds are forming cobwebs up there: we saw the first signs of asperitas just a moment ago, and we rushed out not to miss their ephemeral formation. The wind has been going strong since yesterday night; we can see the sky rippling through waves.

Digital painting of a dusk sky, the last bit of orange glow at the bottom of a faded blue sky, mostly covered by some long, pitch black clouds.

February 24th

We report: when the night falls today, it is indisputably a fall indeed. Between one moment and the next, a great extent of darkness comes into existence. It is a volume of nothingness that so completely eclipses the light that we briefly understand the concept of "void".

Digital painting of a sunrise sky, cornflower blue, filled with wispy clouds of bright, fluorescent orange and yellow, and peach and muted purple higher in the frame.

February 25th

We report that there is something corrosive about this sunrise; acidic orange clouds, biting winds, the light eating houses one after the other. The back wall of our kitchen is about to be swallowed too, all bright and golden. We have to admit that we are not much for mornings.

February 26th

We report: it was raining heavily just a few minutes ago, but our coat has already almost fully dried. The warmth of the sun has us in a bit of a daze, especially as we see brand new rain clouds come closer. The wet pavement is glistening, and our shoes are squeaking against it.

Digital painting of a cloudy sky, layers of flat, blue-grey clouds, interpersed with smaller cumulus. The clouds at the bottom of the frame are tinted slightly yellow.

February 27th

We report in the lingering of hazy, drizzly clouds, and sputtering pebbles on the roof. We check once for rain, and once again for hail later, and we are correct each time. Just when we start wondering about the sun, it comes around to lick the underbelly of the sky.

Digital painting of a deep blue night sky, with indigo undertones, full of stars and wispy cirrus clouds.

February 28th

We report: we have gotten to the coldest of the night, and frost has formed on every surface that can bear it, up to the sky where the clouds hold ice stars in place. In our wandering, we thaw the crystallised air and shove our numb hands deeper into our pockets.

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March 2025

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January 2025